Last week the current (and previous, i.e. me) MA Curation Practices students took the new intake of MA students – curators and creative practitioners – on an art walk in Leeds city centre.
I invited people to experience a public sculpture through touch rather than just by sight, considering what we can learn of a sculpture by doing this: material, temperature, technique, weight etc. And this elicited a discussion on who is allowed to touch in galleries and museums, and whether this needs reviewing.
It was a bit of fun with a serious undercurrent. The sculpture in question is The Boules Player by Roger Burnett on Bond Court. It was the only public sculpture that I found that was at a level so you could touch the whole thing. Other public sculptures tend to be on high plinths so you can only reach the base, if that.